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He surrenders to the way the music evokes emotions. He has his musicians perform for him as he pines for Olivia. He is lovesick for Olivia and has been trying to court her. Twelfth Night opens with Orsino, the Duke of Illyria. Additionally, the use of language to deceive as well as the failure of characters to communicate effectively or truthfully are also issues studied and debated among critics and students of the play. The conflict between appearance and reality is brought to the fore by the elements of role-playing and disguise. The major theme of celebration and festivity was prevalent in all of the sources from which Shakespeare drew. Twelfth Night explores a variety of themes and issues. However, most modern critics agree that festivity and Saturnalian pursuits lie at the heart of this play. Some view it as Shakespeare's farewell to comedy and note that its melancholy undertone foreshadow his great tragedies. Its interrelated themes are complex and intriguing and have inspired many controversial and contradictory theories. Twelfth Night is most often praised by critics for its comedic structure and artistic unity. Twentieth-century director and critic Harley Granville-Barker, for example, called Twelfth Night "the last play of Shakespeare's golden age." Written most likely after the comedies Much Ado about Nothing and As You Like It, and before the great tragedies Hamlet, Macbeth, and King Lear, Twelfth Night has earned critical praise over the centuries for its superb construction and comedic form. The earliest performance recorded is dated February 2, 1602, at the Middle Temple. William Shakespeare wrote Twelfth Night possibly as early as 1599 but more likely in 1601.